![]() ![]() This is done way back in the early stages of the process, after converting to Grayscale but before converting to Duotone. If you want to add a more authentic Risograph feel, consider adding a halftone screen to that monotone image. You’re now looking at what’s effectively a stand-in for the single color screen that would be used in Risograph printing. When you’re happy with the color you’ve chosen, click OK. The brighter the better, as far as I’m concerned, and this goes with the idea of a Risograph too. Click on the color swatch next to the Ink 1 layer to choose the color you’d like to use. I prefer Monotone, as this creates a strong, graphic Risograph effect, yet still allows for a variety of possibilities going forward. This will bring up a window allowing you to choose between Monotone, Duotone or additional color combinations. Next, convert the image to Duotone mode, again found under the Image>Mode menu. This will make it easy to return to this stage of the process, which you may want to do in later stages. Pause here to create a snapshot of this history state by clicking on the camera icon found at the bottom of the History palette. ![]() Convert the image to Grayscale in the Image>Mode menu, and if it isn’t already, immediately convert to 8 Bit color depth (also in Image>Mode). ![]() Start with a simple, graphic image, and open it in Photoshop. ![]()
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